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THE STATE OF MUSIC TEACHING IN NIGERIAN PRIMARY SCHOOLS: A CASE OF TEACHER PREPARATION AND COMPETENCY
Music as a subject of instruction found its way into the school programme through the church.
It is one of the oldest courses of instruction in both traditional and Western European
educational systems. Academic music education in Nigeria was started by the British colonial
educationists. On colonization and preparation for the evangelization of Nigeria, the colonial
masters adopted Christianity as the only official religion of the country. To ensure the people’s
commitment, they drew up educational programmes that were meant to serve their main
purpose. The school curriculum had Reading, Writing and Religion as the central subjects. In
addition to these, they introduced music in the form of hymn-singing. With the inception of
formal music education about the middle of the 19thcentury, the aim was to produce musicians
who would perform in church services. The music curriculum which was founded on Western
musical cultures ignored the relevance of the rich traditional musical cultures of Nigeria.
Though the curriculum succeeded, it did not create a brighter musical future for Nigerian
musicians. On realization of this, Nigerians started preparing grounds for teachers and
students of music by drawing up a curriculum that addressed the needs of the people. They also
prepared grounds for providing adequate facilities and instructional materials. In modern-day
Nigeria, music as a school subject cuts across the early child development to adult stages. It
rests on a tri-level structure, namely: the traditional society, the popular music industry and
the formal school. It has traditionally been integrated in all levels of formal education – early
childhood education (i.e. crèche, nursery and kindergarten), primary education, secondary
education and tertiary education. In the life of a child, musical training starts very early and
must be sustained through the highest level of education. Music teaching in primary schools in
Nigeria which this write-up examines should therefore not remain passive rather, must be
involving if a better future for music scholarship must be actualized. The study therefore
recommends that qualified music teachers should be employed to teach music in Nigerian
primary schools and that primary schools should offer music education that enables the pupils
to make music successfully both within and out of school situation.
Ime S. Ekpo
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